*JOANNA GLEN’S LATEST NOVEL MAYBE, PERHAPS, POSSIBLY IS OUT NOW*
‘So beautiful I almost couldn’t bear it, and so moving I was reading through tears’ STACEY HALLS
‘Uniquely witty, beautifully observed, intricately woven’ MIRANDA HART
‘A truly glorious life-affirming book, in which love, hope and friendship trump sorrow’ DINAH JEFFERIES
‘Brimming from start to finish with sly humour and gothic mischief’ SARAH WATERS
‘Beguilingly clever, very sexy and seriously frightening’ GUARDIAN
‘Atmospheric, sexy, creepy…totally addictive’ KATE DAVIES, author of In At The Deep End
‘A gloriously over-the-top queer romp’ I PAPER
‘A timely, gripping and morally complex thriller’ MAIL ON SUNDAY
When her 22-year-marriage suddenly ended, 47-year-old mother of three Laura expected life as she knew it to be over. What she hadn’t expected:
·A married woman has a BDSM-tinged encounter at a work conference·Two young boys on a sleepover feel the first stirrings of desire·In an artificially generated afterlife, anything can be sexual if you want it to be·A young widow on a sleeper train shelters a criminal in her carriage·A bisexual woman cheats on her wife with a baker
·A married woman has a BDSM-tinged encounter at a work conference·Two young boys on a sleepover feel the first stirrings of desire·In an artificially generated afterlife, anything can be sexual if you want it to be·A young widow on a sleeper train shelters a criminal in her carriage·A bisexual woman cheats on her wife with a baker
‘A lyrical and mesmerising mythic quest story’SUNDAY EXPRESS
‘Extravagantly beautiful writing’ADELAIDE ADVERTISER
‘Unputdownable’SYDNEY MORNING HERALD
·A married woman has a BDSM-tinged encounter at a work conference·Two young boys on a sleepover feel the first stirrings of desire·In an artificially generated afterlife, anything can be sexual if you want it to be·A young widow on a sleeper train shelters a criminal in her carriage·A bisexual woman cheats on her wife with a baker
To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images.
‘Electrifying, deeply unsettling and so, so satisfying’ Meg Mason, author of Sorrow and Bliss
‘I raced through this compelling tale about shame, single motherhood, and the lies we tell ourselves and other people’ Daily Mail
A SUNDAY TIMES STYLE RECOMMEND
‘Lyrical, moving, revealing’TRACY CHEVALIER
‘Brilliant’ NIKITA LALWANI
‘Such beautiful writing… A little bit Rear Window, a little bit Home Fire, a little bit Shameless. I loved it’ LOUISA YOUNG
‘Daring and devastating’ FIONA MOZLEY
‘A DAZZLING DEBUT’ SARAH WINMAN
‘FOR FANS OF ELENA FERRANTE…STUNNING’ WOMAN’S WEEKLY
‘VIVID AND AUTHENTIC’ WASHINGTON POST
‘NAOMI KRUPITSKY’S WORDS SING…I COULDN’T PUT IT DOWN’ JOANNA GLEN
‘GRIPPING…A TENSE, NUANCED DEBUT’ PLATINUM
‘A DAZZLING DEBUT’ SARAH WINMAN
‘FOR FANS OF ELENA FERRANTE…STUNNING’ WOMAN’S WEEKLY
‘VIVID AND AUTHENTIC’ WASHINGTON POST
‘NAOMI KRUPITSKY’S WORDS SING…I COULDN’T PUT IT DOWN’ JOANNA GLEN
‘GRIPPING…A TENSE, NUANCED DEBUT’ PLATINUM
‘DARK AND DEVIOUS’ Stephen King
‘UTTERLY ENGROSSING’ Daily Mail
‘TWISTY AND RICHLY ATMOSPHERIC’ Ruth Ware
‘TIGHTLY PLOTTED AND UTTERLY GRIPPING’ Sarah Pinborough
‘A HAUNTING THRILLER’ Women’s Weekly
‘TOTALLY ABSORBING’ T.M. Logan
‘Stephenson’s reputation as a sci-fi titan is deserved’ Sunday Times
‘His most visionary, and timely, book yet’ Chicago Review of Books
‘Absorbing speculative fiction’ Guardian
