The Measure
‘GRIPPING AND POIGNANT’ RUTH HOGAN, bestselling author of The Keeper of Lost Things
‘CLEVER AND ENTERTAINING’ GOOD HOUSEKEEPING
‘A THOUGHT-PROVOKING READ’ PRIMA
‘GRIPPING AND POIGNANT’ RUTH HOGAN, bestselling author of The Keeper of Lost Things
‘CLEVER AND ENTERTAINING’ GOOD HOUSEKEEPING
‘A THOUGHT-PROVOKING READ’ PRIMA
*WATERSTONES WELSH BOOK OF THE MONTH*
Paris, 1891 Laura is living on the streets, far from the American Prairies where she was born. When rescued by the entrancing aerialists, Ena and Auguste Gaudron, she soon finds herself ensconced in the family hot air balloon business, and offered the chance to learn how to fly.
‘Devastating, deceptive and darkly funny’ SARAH WINMAN
‘It had me holding my breath!’ MARIAN KEYES
’I loved this novel. It was perfection. Highly recommend’ CECELIA AHERN
‘A stupendous novel… complicated, dark, funny and very human’ FERN BRITTON
‘A DAZZLING DEBUT’ SARAH WINMAN
‘FOR FANS OF ELENA FERRANTE…STUNNING’ WOMAN’S WEEKLY
‘VIVID AND AUTHENTIC’ WASHINGTON POST
‘NAOMI KRUPITSKY’S WORDS SING…I COULDN’T PUT IT DOWN’ JOANNA GLEN
‘GRIPPING…A TENSE, NUANCED DEBUT’ PLATINUM
‘Unmissable’ STYLIST
‘A really gripping read’ TIMES RADIO
A brilliantly inventive and often funny story of family and identity, inheritance and birthright, ambiguous loss and finding your way, Frank Walsh’s voice will stay with you long after you’ve finished reading.
*WINNER OF THE 2023 FRED KERNER BOOK AWARD FOR FICTION*
*LONGLISTED FOR THE 2023 TORONTO BOOK AWARDS*
*FINALIST FOR THE 2023 RAKUTEN KOBO EMERGING WRITER PRIZE*
Grief is like an inside joke: you have to have been there to really get it.
To define Nigeria is to tell a half-truth. Many have tried, but most have concluded that it is impossible to capture the true scope and significance of Africa’s most populous nation through words or images.
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Trent Dalton, Australia’s best-loved writer, sat on a busy street corner with a sky-blue Olivetti typewriter and asked the world a simple, direct question: Can you please tell me a love story?
‘Electrifying, deeply unsettling and so, so satisfying’ Meg Mason, author of Sorrow and Bliss
‘I raced through this compelling tale about shame, single motherhood, and the lies we tell ourselves and other people’ Daily Mail
‘A FIERCELY INTELLIGENT PAGE-TURNER’ PAULA HAWKINS
‘WRITTEN PRE-COVID – GRIPPING, SCARY AND PERSUASIVE’ IAN RANKIN
‘THE STUFF THAT CLASSICS ARE MADE OF’ A.J. FINN
‘GRIPPING AND BEAUTIFULLY WRITTEN. WHAT A DEBUT!’ SARAH PEARSE, author of The Sanatorium
‘BRILLIANT, PRESCIENT, UNPUTDOWNABLE’ JENNY COLGAN
‘Stephenson’s reputation as a sci-fi titan is deserved’ Sunday Times
‘His most visionary, and timely, book yet’ Chicago Review of Books
‘Absorbing speculative fiction’ Guardian