Narrative theme: Health and illness

The Glassmaker

‘Ingenious’ THE TIMES, Book of the Year

‘Sparkling’OBSERVER

‘A triumph… beyond admiration’ PHILIP PULLMAN

‘Spellbinding…. Chevalier at her fabulous best’ ELIF SHAFAK

‘As finely wrought as a dazzling Murano bead… one of the reigning queens of historical fiction’ INDEPENDENT

‘A spectacular feat, crafted by a maestra at the top of her game’ SPECTATOR

The Maps We Carry: Psychedelics, trauma and our new path to mental health

‘Rose Cartwright breaks all our old certainties and liberates us to approach our mental struggles with new humanity and creativity. The book cannot fail to interest anyone concerned with their mind’s bewildering beautiful complexities’ ALAIN DE BOTTON

‘Radically open-minded. An extraordinary, paradigm-shifting work’ NATHAN FILER

The Glassmaker

‘Spellbinding’ ELIF SHAFAK

‘Ingenious’ THE TIMES, Book of the Year

‘Sparkling’OBSERVER

‘A triumph’ PHILIP PULLMAN

‘As finely wrought as a dazzling Murano bead’ INDEPENDENT

‘Meticulously researched and evoking the beauty of the Venice lagoon’ PHILIPPA GREGORY

‘A spectacular feat, crafted by a maestra at the top of her game’ SPECTATOR

The Glassmaker

‘Ingenious’ THE TIMES, Book of the Year

‘Sparkling’OBSERVER

‘A triumph… beyond admiration’ PHILIP PULLMAN

‘Spellbinding…. Chevalier at her fabulous best’ ELIF SHAFAK

‘As finely wrought as a dazzling Murano bead… one of the reigning queens of historical fiction’ INDEPENDENT

‘A spectacular feat, crafted by a maestra at the top of her game’ SPECTATOR

Will You Read This, Please?

‘Moving and vital’ i NEWS

‘A beautiful book’ EVENING STANDARD

‘Deserves to be read by as wide an audience as possible’ DAILY MIRROR

The Shock of the Fall: Borough edition

A NEW EDITION WITH AN INTRODUCTION BY MAX PORTER

WINNER OF THE COSTA BOOK OF THE YEAR 2013

WINNER OF THE SPECSAVERS POPULAR FICTION BOOK OF THE YEAR 2014

WINNER OF THE BETTY TRASK PRIZE 2014

The Shock of the Fall: Borough edition

A NEW EDITION WITH AN INTRODUCTION BY MAX PORTER

WINNER OF THE COSTA BOOK OF THE YEAR 2013

WINNER OF THE SPECSAVERS POPULAR FICTION BOOK OF THE YEAR 2014

WINNER OF THE BETTY TRASK PRIZE 2014

The Maps We Carry: Psychedelics, trauma and our new path to mental health

‘Rose Cartwright breaks all our old certainties and liberates us to approach our mental struggles with new humanity and creativity. The book cannot fail to interest anyone concerned with their mind’s bewildering beautiful complexities’ ALAIN DE BOTTON

‘Radically open-minded. An extraordinary, paradigm-shifting work’ NATHAN FILER

The Maps We Carry: Psychedelics, trauma and our new path to mental health

‘Rose Cartwright breaks all our old certainties and liberates us to approach our mental struggles with new humanity and creativity. The book cannot fail to interest anyone concerned with their mind’s bewildering beautiful complexities’ ALAIN DE BOTTON

‘Radically open-minded. An extraordinary, paradigm-shifting work’ NATHAN FILER

Two Sisters

‘Tender, vivid and achingly sad’ GUARDIAN, BOOK OF THE YEAR

TWO SISTERS publishes on the 30th anniversary of Blake Morrison’s ground-breaking book And When Did You Last See Your Father? which forged the way for a new genre of confessional memoir.

Will You Read This, Please?

‘Moving and vital’ i NEWS

‘A beautiful book’ EVENING STANDARD

‘Deserves to be read by as wide an audience as possible’ DAILY MIRROR

Will You Read This, Please?

‘Moving and vital’ i NEWS

‘A beautiful book’ EVENING STANDARD

‘Deserves to be read by as wide an audience as possible’ DAILY MIRROR

The End of Men

‘A FIERCELY INTELLIGENT PAGE-TURNER’ PAULA HAWKINS

‘WRITTEN PRE-COVID – GRIPPING, SCARY AND PERSUASIVE’ IAN RANKIN

‘THE STUFF THAT CLASSICS ARE MADE OF’ A.J. FINN

‘GRIPPING AND BEAUTIFULLY WRITTEN. WHAT A DEBUT!’ SARAH PEARSE, author of The Sanatorium

‘BRILLIANT, PRESCIENT, UNPUTDOWNABLE’ JENNY COLGAN

The Motion of the Body Through Space

From the Orange Prize-winning author of We Need to Talk About Kevin

‘Enjoyably abrasive… a compelling read… sardonic and elegant’ Evening Standard

‘Scabrously funny… few authors can be as entertainingly problematic as Shriver’ Guardian

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