Science fiction: near-future

Termination Shock

The #1 New York Times bestselling author returns with a visionary technothriller about climate change

‘Stephenson’s reputation as a sci-fi titan is deserved’ Sunday Times

‘His most visionary, and timely, book yet’ Chicago Review of Books

‘Absorbing speculative fiction’ Guardian

Termination Shock

The #1 New York Times bestselling author returns with a visionary technothriller about climate change

‘Stephenson’s reputation as a sci-fi titan is deserved’ Sunday Times

‘His most visionary, and timely, book yet’ Chicago Review of Books

‘Absorbing speculative fiction’ Guardian

Termination Shock

The #1 New York Times bestselling author returns with a visionary technothriller about climate change

‘Stephenson’s reputation as a sci-fi titan is deserved’ Sunday Times

‘His most visionary, and timely, book yet’ Chicago Review of Books

‘Absorbing speculative fiction’ Guardian

Termination Shock

The #1 New York Times bestselling author returns with a visionary technothriller about climate change

‘Stephenson’s reputation as a sci-fi titan is deserved’ Sunday Times

‘His most visionary, and timely, book yet’ Chicago Review of Books

‘Absorbing speculative fiction’ Guardian

Termination Shock: Unabridged edition

The #1 New York Times bestselling author returns with a visionary technothriller about climate change

‘Stephenson’s reputation as a sci-fi titan is deserved’ Sunday Times

‘His most visionary, and timely, book yet’ Chicago Review of Books

‘Absorbing speculative fiction’ Guardian

Red Clocks

SHORTLISTED FOR THE INAUGURAL ORWELL PRIZE FOR POLITICAL FICTION

‘Intense, beautifully crafted . . . Her talent is electric. Get ready for a shock’ Guardian

This is a work of fiction. Keep telling yourself that.

I Still Dream

‘The best fictional treatment of the possibilities and horrors of artificial intelligence that I’ve read’ Guardian

In 1997 Laura Bow invented Organon, a rudimentary artificial intelligence.

The Machine

Shortlisted for the Arthur C Clarke Award 2014, this is a Frankenstein tale for our time from one of the UK’s brightest new literary talents.

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